Bud, Not BuddyWritten by Christopher Paul Curtis2000 Newbery Award 2000 Coretta Scott King Award 1999 Golden Kite Honor2000 ALA Best Books for Young Adults
BibliographyCurtis, Christopher Paul.
Bud, Not Buddy. Random House Children's Books, 1999. ISBN:
0385323069SummaryTen-year-old Bud Caldwell is an orphan growing up during the Great Depression who embarks on a rags-to-riches journey to find his family. His only clue is a collection of flyers advertising Herman E. Calloway and his band The Dusky Devastators of the Depression!!!!!! With the aid of
Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself, Bud overcomes monsters, vampires, and a grumpy old man to achieve his goal. During his adventures, Bud crosses paths with a few unsavory personalities, but is also helped along by a quirky sense of humor and several kind-hearted adults.
My ImpressionsBud, Not Buddy is an excellent example of award winning literature. The language and dialog are engaging, the story is gripping, and the characters are well fleshed-out. The story revolves around a lovable character who cannot be defeated by the cruelty and negligence of the people around him, but who is also assisted by kind and unselfish strangers.
Bud, Not Buddy reveals characters who behave at their best and worst during one of the most difficult time periods in American history.
ReviewsBud, 10, is on the run from the orphanage and from yet another mean foster family. His mother died when he was 6, and he wants to find his father... Told in the boy's naive, desperate voice, with lots of examples of his survival tactics ("Rules and Things for Having a Funner Life and Making a Better Liar out of Yourself"), this will make a great read-aloud. Curtis says in an afterword that some of the characters are based on real people, including his own grandfathers, so it's not surprising that the rich blend of tall tale, slapstick, sorrow, and sweetness has the wry, teasing warmth of family folklore.
Hazel Rochman (Booklist, 1999)When 10-year-old Bud Caldwell runs away from his new foster home, he realizes he has nowhere to go but to search for the father he has never known: a legendary jazz musician advertised on some old posters his deceased mother had kept... Bud is a plucky, engaging protagonist. Other characters are exaggerations: the good ones (the librarian and Pullman car porter who help him on his journey and the band members who embrace him) are totally open and supportive, while the villainous foster family finds particularly imaginative ways to torture their charge. However, readers will be so caught up in the adventure that they won't mind. Curtis has given a fresh, new look to a traditional orphan-finds-a-home story that would be a crackerjack read-aloud.
Kathleen Isaacs (School Library Journal, 1999)Activities
Discuss Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself with the group. Take a large sheet of paper (or use the black/whiteboard if in a classroom) and have the kids make their own list of Rules and Things. Let them be creative and encourage humorous (but appropriate) entries.
Have a presentation on Depression-era jazz. Listen to examples of the instruments, discuss the role of black musicians, how they wrote music, and the evolution of "scat." Play some music from that era by Duke Ellington, Louis Armstrong, Ella Fitzgerald, etc. Have the kids come up with their own lyrics for "the blues."
The Invention of Hugo Cabret
Written and Illustrated by Brian Selznik
2007 Caldecott Award
2007 Quill Award
2007 NY Times Best Children's Illustrated Book
2007 ALA Best Books for Young Adults
2007 Horn Book Fanfare Best Book
2007 National Book Award Finalist
Bibliography
Selznik, Brian. The Invention of Hugo Cabret. Scholastic, 2007. ISBN: 0439813786
Summary
Described as a "Novel in Words and Pictures," the Invention of Hugo Cabret is unique as a 533-page picture book, including hand-drawn and photograph illustrations. The story is about Hugo Cabret, whose father was obsessed with repairing an animatron that he discovered in a museum which consequently burned down and took his life. Now the orphaned Hugo must finish his father's work, and complete the mysterious mechanical man. He must survive on his own in the hidden passageways of a Parisian train station while trying to piece the puzzle of his father's obsession together. He makes friends with the helpful Isabelle and her godfather, the toymaker Papa Georges. When he finally completes the project, the mystery that is revealed by the animatronic man is more than Hugo or Isabelle could ever imagine, and Papa George's true identity is revealed at last.
My Impressions
The Invention of Hugo Cabret takes a look at the whimsical, magical artwork and cinematography of the Parisian movie maker Georges Méliès
. Selznik's book is a masterful combination of illustrations, pictures, and well-written text that presents Méliès
' story through the eyes of a desperate orphan boy. Hugo and Isabelle discover much about themselves as they search for the answers of Papa Georges' past, and the reader is treated to an eyeful of wonderful illustrations that propel the story forward to the dramatic climax.
Reviews
Here is a true masterpiece - an artful blending of narrative, illustration and cinematic technique, for a story as tantalizing as it is touching... Selznick hints at the toymaker’s hidden identity (inspired by an actual historical figure in the film industry, Georges Méliès) through impressive use of meticulous charcoal drawings that grow or shrink against black backdrops, in pages-long sequences. They display the same item in increasingly tight focus or pan across scenes the way a camera might. The plot ultimately has much to do with the history of the movies, and Selznick’s genius lies in his expert use of such a visual style to spotlight the role of this highly visual media. A standout achievement.
(Publisher's Weekly)With characteristic intelligence, exquisite images, and a breathtaking design, Selznick shatters conventions related to the art of bookmaking in this magical mystery set in 1930s Paris. He employs wordless sequential pictures and distinct pages of text to let the cinematic story unfold, and the artwork, rendered in pencil and bordered in black, contains elements of a flip book, a graphic novel, and film... This is a masterful narrative that readers can literally manipulate.
(Wendy Lukehart, Washington DC Public Library for School Library Journal)Activites
Have the students compose a story made entirely of pictures. Allow them to use fifty words or less, but the pictures must clearly show the action of the story.
Present a lesson on early cinematography, focusing on the artwork of Méliès
and his contemporaries. Show prints of his work (if possible) or find clips from some of the original films, especially The Arrival of the Train at the Station. Explain how magical and even frightening the early movies were to the public since they had never experienced anything like it before.
Selznik has a wonderful website that offers resources and ideas: http://www.theinventionofhugocabret.com